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A Christmas Card

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Paper greetings, printed in opaque black,
swirled with ochre tones – and embossed
with tinsel and glare.

The serenity of straw and stable,
low station and artless beginnings-
in the midst of majestic creations.

Or how the mystery of snowfall
obscures the road ahead, yet in stillness
illustrates continuum beauty where we are led.

The green wreath, the evergreen bough-
decked in ribbon – tinged with gold
and captures glimmer and snow alike, somehow.

See the carolers, their faces
reddened in winter’s callous air –
mouths agape with our imagined joyful song and prayer.

In the bleak midwinter,
Snow lay all around, stars shown bright-
then pealed the bells more loud and clear,
Merry Christmas, Noel, this silent night.

eau

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a fragrant voice,
a merging sound
to gather yellow, red and crowned

in a glottal stop
between the soundings
of the clock.

in a fashion, step
betwixt the puddle
stones and ripples, mixed.

lovers with their grasping hands-
arose, then reached at its command
and cleaved the blood-pricked
thorn, alone

in silence
and in clamored tones.

Concomitant

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There is a slight twinkle
near the sun, and it brings a magic notion
down to one. There is a water droplet
near the stream, and it doesn’t bother
or even seem to care if it’s apart-
the teeming, rushing flow reprieves.
A single green leaf among the red and golden sheaves
and fading starlight, tropes in morning dark.
Waving grasses, stand in endless fields
beneath the doleful skies of clouds with daylight, now concealed.
Wisps of raven hair that battle with the breeze,
as eyes (that smile) seek out the day’s reprise.
And this, a thought to consort with the one,
the charm that twinkled with the sun.

 

Is she

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It is hollow sounding
once struck-
then resonant, tones
that lean and carry
into the next.

Suppressed by pedal
at breathing points,
only to fly in phrasing
and surround-
taking us in.

Suppose we were
to stay, encompassed by
the echo, inside the billow
of the melody
improvised.

How would we know?
After the first note
we breathe its air-
sway in a joined jive
inside the song.

Even led among
the staves, turning
and taking our time
for crescendos
and kisses.

Segues

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Heading south, I hurried the darkened morning
behind me, and enveloped the sky-
A blush and stretch with her first glance
at daybreak.
A single tree was further down,
gilded- alone among the green and the dead.
It shouted – Hear me! I am magnificent!
The golden leaves shuddered,
and the adjacent pines quivered
and the color cascaded, this moment crowned.
…
Heading north, I rushed to meet the evening
and embraced the waning sun, a yawn and caress
from her last breath of daylight.
In the darkness, shadows stood where trees remain
and I could not tell gold from red or dead from green.
There was no sound,
no opulent style or lonely smile
Only sky and passage into ground.

spirals

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I followed the twisting branch
of the hazel tree, from the end
contorting me through its bends and corkscrew
wrench. I noticed the blue sky
just beyond and lingered there
for just moments and lost my try.

I traced a tangled shoot
from its tip, well into the
mangled form, and noticed a single
leaf – waiting- and watched
it live, forgetting how I traveled
there and where I was destined.

I chased the crooked lines
that overlapped and twined,
becoming one in the matted vines
where sky and sun are dim
and all is mangled and confined.
My words were caught in creviced splines.

I let the torsions lead me in
and angled, changing me instead
remained on a path of helix.
With new braids and spirals wed,
the path led somewhere new ahead
among the hazel twists and treks.

Preparations

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When I prepare the yard for winter,
the time when all is stark and lost,
the dead have wilted, scruff and ragged –
and I remove the chaff and croft.

As I gird the garden, whether
further growth is wont or not,
bedded mounds of soil and leavings
cover greener, fledgling thoughts.

Seeded verse on sorted papers
things that sleep beneath decay
seedlings of the spring and morrow
beauty fit for flow’red cliche’

Here I leave the hopes of summer
warm enchantments, an enclave
hidden from the weather – bitter
though purposed to save.

something, about very

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As if it is more than she first breathed,
a life beyond the ocean’s crest
or past the highest tree.

She feels her wants, and gathers what she needs.
Marked assumption, close and firm, and pressed
to carry passions free.

An apple redder than anger’s seed
or simple care to disentangle tress’s,
the golden, ornate key.

Silken girl,raging whorl is she
who’d rather give the world waking regrets
than silent repartee.

As if it’s greater than the sum of her marquee,
but most of all in her largesse,
the inspiration given me.

Passage

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October leaves me in thatches,
between the warm beaches
and pale wintered branches.

I remember the autumn,
the slow scale of mornings-
the decorative fallen.

I see her in color,
the amber-crisp sunlight
that touches to cover.

For moments, I tarry-
enveloped and yielding
to her fay and fairy.

I reach for her hand
and she vanishes,
my visions are damned

in the moment between
burgeoning summer
and winter’s pale serene.

non-sequitur moment

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I don’t speak Gaelic,
and I’ve never been to Venice, either,
she said -between bites of her sandwich-
not looking at anyone in particular.

And I thought:

It must take a long time to get there by rowboat.
The ocean is only half-filled with water,
though there is plenty of time,
plenty of it.
plenty…

It is only 8 miles across the straits of Gibraltar
where the big rock is.
(Well, there is probably more than one),
and they keep getting reshaped and worn by water.

Maybe water can reshape me
or move me out to the sea.

Stones don’t move themselves;
they just get reshaped by water.
Running water.
Falling down.
Breaking it apart.
Lots of water falling down and crashing into crags and crevices.

That’s why rocks crash into the sea.

The ocean is half-full of rocks, I said.

And she nodded with fluid regality
-between bites of her sandwich-
like a queen or princess.

****
Originally published in Soundzine | February, 2011