about this unfinished symphony…
The movements that proceeded this one are fading and the players are tired.
This current antiphonal fugue section isn’t working well. The swells grows louder and less melodious by the measure. Gone are the phrases that rise and fall in unison. In their place are resonant pedal tones, brassy glissandos and clashes of cymbal and blat. Largely single voices that raise the din.
Remember the sweeping melodies of the past. True, the ancient tunes of the indigenous are mostly lost, but they were here when the land was born and still echo in our ears if we just listen. Our young work of art holds the jigs of immigrants, the hymns of the pious and yes, the blues of the enslaved. Some songs were joyous, others dripped with pain and sadness. They may have been singular in their experience, but they are unifying in their impact.
Across the landscape, the gospel choir of sinners and saints and the choral moments of victory shouted that we shall have a song, and you gave us one.
Contemporary ditties dot the eras, but do not define the work. Populism accentuates the moment, but ad libitum cannot sustain the chords. Intervals from fourth to fifth and augmented sevenths resolve themselves to prime.
Anger and happiness are to be heard throughout, folded in as motifs – but it must lead to where it begins and ends, in one voice.
A voice shared of past and future songs, of freedom for all, ringing bells of prosperity for each one of us, crescendo in equality and building the next movement.