Tag Archives: poetry

Crux

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As hills become mountains and the lakes lead to streams,
then writing this poem is more like a scheme
to capture them both-though it seems in excess-
The climb and the ascent to narrowed obsess.
Shunning all reason of what comes to rest
on cliffs or near jetties in scenes I know best.
A beauty there waiting in sunlit repose,
her eyes slightly dimmed,as she dreams – I suppose.
And there at each waypost she lingers ahead
culling the scenery I’ve conquered and bred.
And where I go next is of no end, this I know.
She’ll be in the heights or the river below.

Glow

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When I’ve lit a warming fire,
the blooming flames go licking higher
engulfing piled up timbers-
In oak and cherry cinder
new sparks,a hope engendered.

The crackling bite from fibres bound
now torn, fragmented in a sound-
pulled apart from stable lengths
betraying links and bonds and strength
new sparks,a hope engendered.

And after time, the flames reside
awaiting what I can provide,
More lumber on the bed of coals
feeding hungry, lonely souls-
new sparks, a hope engendered.

And after flickers fade to glows
and darkness settles, fills and stows
it’s bundles in the cloaking night
ever silent, there alight
new sparks, a hope engendered.

Swept up (Cento)

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Negation, all fulfilled desire
gold with a heart of cinder.

Everything suggests something else.

When the weeds sprawl
it is not what you think.

The dust motes float
and swerve in the sunbeam
because I say we rather than they;

They change the color of your dream:
We is whiplash
and backhanded ways of settling grief.

Very present like a dark poem,
far and unreadable just out
at the edge of this poem floating.

And it is this rocking back and forth

to take in to sate the mouths

of humid heavy air and the wing music
of bees and flies.
Only, of course, they can’t sustain the part.
Tomorrow waits with a big broom.

**************

This Cento contains lines from the following poets:

Shirley Geok-Lin Lim, Robert Frost, AF Moritz, Muna Lee, Carl Sandburg, Karen Volkman, Lee Herrick, WS Graham, Susan Donnelly, Alison C Rollins, Ha Jin, Jean Garrigue, Jacob Saenz

The last ones

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Where the omegas light
or the zebras graze
coming to a sundown at the end
of a day, with the hues just finishing
at the edge of the page.
Come what may.

Trek down to bottom
of the waterfall,
the pool that collects and swirls
and spalls. Shapes majestic rock
to a minor crawl.
You’ve seen it all.

Walk away from
blood and tears you’ve shed,
The memory maybe still fresh,
and living in your head. Not
worth the pain or the dread.
That’s what they said.

The last ones take
a moment to decide,
to conquer and reign in the now,
the meantime. It’s true what they implied,
yet often untried.

Alchemy

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Skimilvee this, and jorating us that
around the sculpting parapet.

Pleady, the cosmities open and close
and stars swim around in the bath.

Immanent, always the commuting desire
allaying our jittles and wrath-

turning lead into gold, then likewise is sold
and evaporates in a quintet.

So, jorate the statumly, conquer the reavenly
all you would want, or even empath

Turns back in a cyclic anomaly
and sculpts a new parapet.

A part of you

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Emerging in the sleeping dew
with softened morning light,
are you among the sable fringe
casting forth your bright?

Walking on the air of day
with wisps of gleaming kismet,
are you sprite or angel summoned
without claim to coquette?

I comfort your implied embrace,
the smile you offer as you roam,
the auric presence you have shared
lives inside this poem.

 

While

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I spent the morning reading my old poems
and realize they feel like memories.
The lonely ones that desire a second (or third)
reading, the triumphant ones
that trumpet their arrival,
the amorous ones –
they pull me into a corner by the collar and linger,
the nonsensical ones that twirl and wheel
about the sacred and profane, the love or disdain.
The obtuse, they wander.
The linear, they gander.
The poems, I gather to mind
and hold to abide in warm embraces.
They all have their places.

A thaych from a hayd

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In a thaych from a hayd, in different seldia
sailing and sauntering, lengly along –
soutery pleasantry goes a lot farther
than fowling diameters and biling a cause.

A thaych on a hayd, though blonding or greyishing
is bankled and combed where it sits, where it lands
And enschewous decibels echo a singable
sound in the topost, the autory gland.

On thayches with hayds, so many to count among
wordansing, all the while twirling their ways.
Countermand into the idents and lipses
and give no more thought to unwreakable days.

Potential

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I’ve seen where the snow melts to rivers,
passing over the cusp of terrain.

Poured lonely and loved into vessels pressed
by eons, it froths and drives.
Pulling and pushing the raw,
Filling and turning the wanton mutation
of these bends and falls to impatience
and hurried decline.

Cold and clear – this water, 
a gypsy surge
bathed with benevolent favor
and no time on its journey
for deliberation.
Embraced at its finish
and swirled among the pools
of a quintillion bonded kindred souls.

Disbelief ( a Cento)

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Time does have mercy. But it doesn’t enumerate or wait.
A mother of course goes on setting the table, even if it’s with broken plate
lit with the fire of sighs, casts spells, burns sage,
sweats in a lodge, her own prayers flaming,

afraid to demand the right
to be afraid.
You’re trying very hard.
the sensation of anticipated
hearing close inside the ear
and the incipient murmur or cry

Ask and ask until nothing’s left to ask.

A hundred Cheerios, one by one, thinking,
bearing a slender cord for unseen hands.
The rims of wounds have wounds as well.
The memory- as the sole miracle hovering in the air-
Dreams. Time. Horizon. Farther from home than belief
of how your mother laid roses.

 

This Cento is comprised of lines from the following poets.

Chen Chen, Barbara Ras, Sheryl Luna, Robin Morgan, Ko Un, Alice B. Fogel, Carry Fountain, Edwin Markham, Lucie Brock-Broido, Arthur Davison Ficke, Simon J. Ortiz.