Tag Archives: poetry

on a table

Laying my head aside
on the table,
I made the sun rise faster.
While closing,
then opening one eye
(and encouraged to applaud)
it hops up and down.

Inspiration can be difficult
without a strong wall
to bounce a ball.
I seek them
and they crumble upon impact.

Tiles in this table
are neatly placed end-to-end
and side-to-side.
(My poems are less organized,
but still fit nicely in my frame.)
The grout in between
holds them tightly together.

After a pedestrian moment,
a single bell tolls
and calls me to fill
or to empty my head.

I choose the latter
while the sun bounces.

*****
a poem from July 2007, slightly reworked and refocused.

accidental song

If only I could write a song,
eschewing many natural keys,
written in the key of “C”, and fond,
as romantic you deserve from me.

No matter what the strain or tune,
regardless of how high, how far
to reach the stars and Ella’s moon,
and find your ears, to be admired.

But slipping in, glissandos fall,
though filled with heart, Erato’s words
-unworthy of Euterpe’s call
the sounding notes, portato shards.

The music’s there, though coarse and dimmed,
chromatic from the flat, blue notes,
the poem still enchants as hymns
within this token song I wrote.

Belong to me

Cling to dawning’s drape, as hails the sun’s
revealing rays, a slow ascent, night is undone.

Wringing in, as rainfall on September flowers
belongs the day, as soaking unseen bowers-

hallowed, hidden dens from branching gables,
place of passion’s secrets –Jana’s cradle.

Then, in reflecting off one lover’s eyes,
light that signal darkness’s demise

screams the sounds, if they were voiced and free,
subsume this moment – come, belong to me.

Azimuth

Of sounds, there seems a widow’s cruse
to knock around, to interfuse.
This rhyming dervish -so accused-
from Albany to Syracuse
or Monterey to Santa Cruz
across the water -if you choose-
but not so far as Betelgeuse.
I do not wish to disabuse
you of your preference -p’s and q’s-
but only that I’m circumfused
with words whose sounds are overused.

******************
a list of words presented themselves…and I just couldn’t stop.

Poet in Mind: Charles Bukowski’s Birthday

Today would have been Charles Bukowski’s 93rd birthday*. Ever since I started writing poetry, I’ve had a fascination with Bukowski: His writing style, his curmudgeonly persona. He had a very rough childhood, with a strict upbringing, and episodes of bullying. Some say he suffered from dyslexia, which contributed to depression and his subsequent alcoholism. He suffered early rejection in his writing career and even gave it up for a time. Eventually, he returned to writing with a distinct style. He’s not the kind of writer that appeals to everyone…you either love or hate him. His poetry can be very blunt and crass, but at the same time, insightful to the plights and depravity of everyday urban living. I don’t want to glorify the lifestyle**, yet, his ability to condense his own issues into compelling poetry can’t be denied. He rarely made use of metaphor and subtlety, but relied solidly on direct language, anecdotes, and his own experiences.

I don’t want to run the risk of violating someone’s copywrite, so I won’t share any of his poems here. But, I’ll direct you to the Poetry Foundation website as a start if you are interested. And these really only scratch the surface. The man was an incredibly prolific author/poet***.

Because I consider Bukowski influential, I’ve been known to “attempt” mimicking his style (for better or for worse) or at least channel him. I think most poets/writers have an influential style that they sometimes attempt.

A Hand to Bukowski

Short Poems

What Matters Most

***************************
*Bukowski died in 1994 from leukemia.
**Among other things, Bukowski wrote of his numerous affairs, sex with prostitutes, violence, drinking, and gambling.
***Bukowski wrote more than forty books of poetry, prose and novels while living. There have been nine compilations of “new” poetry published since his death.

late summer canon

I see them gathered
-the yellow susans –
day after day
on the hillside;
struggling to meet the morning sun
-petals flung down
as stretched limbs-
thrusting their faces
toward heaven,
at midday
their arms raised
in praise to a merciful deity,
and in evening
– their buds nodding en masse-
attuned to the canons
of their ancestors.

Epic grounds

The wind and the lion roared
as the blades cut a swath
in diagonal, then glory
reigned over the edging, with
pauses to reload
and storm the foundation.
Finally, after putting away
the implements of destruction,
a moment to sip iced tea
and ponder
the creation and beauty
of living things,
as the breeze perturbated
through the snowmound.

***************
a brief poem inspired by my random playlist while doing yardwork over the weekend.
The Wind and the Lion, composed by Jerry Goldsmith
Glory, composed by James Horner
Forrest Gump Suite, composed by Alan Silvestri